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The eloquence of silence in Shakespeare’s tragedies

The new normal

Luke McBratney explores how Sally Rooney’s Normal People updates the love story for a liberal age — while still echoing classic romance themes of growth and self-knowledge

Characters are sitting outside on the ground, and Marianne is resting her head on Connell’s shoulder.
Paul Mescal as Connell and Daisy Edgar-Jones as Marianne in the 2020 television series
© Element Pictures/BBC/Hulu Originals/Album/Alamy Stock Photo

NEA: AQA (A); Edexcel; OCR

Sally Rooney has been called ‘the first great Millennial author’ by the New York Times (Barry 2018) and the ‘Salinger for the Snapchat generation’ by Faber. Her fiction encapsulates late adolescence and young adulthood with freshness and precision, revealing the central paradox of modern life: despite having more ways to communicate, it is harder than ever to connect. Indeed, Rooney evokes almost 50 shades of awkwardness. Her million-copy bestselling novel Normal People (2018) has become a critically acclaimed television mini-series and is an increasingly popular choice for NEA assignments. This article explores how Rooney renders contemporary life in that novel, before considering what it has in common with Regency romance.

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Previous

A note from the managing editor…

Next

The eloquence of silence in Shakespeare’s tragedies

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