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Innocent victims and infamous villains: The Woman in White and true crime

LANDMARKS IN CRITICISM

Psychoanalytic theory and Hamlet

Catherine Bates introduces Freud’s psychoanalytic theory and discusses how it might be applied to Hamlet

Hamlet holding a skull and talking to it.
Hamlet (Ian McKellan) with the skull of Yorick, Theatre Royal Windsor 2021
© Donald Cooper/Photostage

Sigmund Freud (1856–1939) referred to Shakespeare more than any other writer, citing his plays over a hundred times. With 40% of Freud’s mentions relating to Hamlet, this article looks at how his ideas can shed light on the play.

Hamlet played a crucial part in the development of Freud’s thinking and in the creation of psychoanalysis itself. On 15 October 1897, Freud had a breakthrough moment:

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Previous

Shakespeare on page and stage

Next

Innocent victims and infamous villains: The Woman in White and true crime

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