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‘Wise enough to play the fool’: The creation of Feste in Twelfth Night

Twentieth-century encounters with the ‘madwoman’

Fiona Macdonald explores how Daphne du Maurier in Rebecca (1938) and Jean Rhys in Wide Sargasso Sea (1966) respond to Charlotte Brontë’s ‘madwoman in the attic’

Fiona Macdonald

Film still of young Antoinette, standing in the sea in the Caribbean and looking thoughtful.
Karina Lombard as Antoinette in the 1993 film of Wide Sargasso Sea
©RGR/Alamy Stock Photo

AQA (A): Paper 1 Love through the ages (Rebecca)

Edexcel: English language and literature Paper 2 (Wide Sargasso Sea)

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‘Wise enough to play the fool’: The creation of Feste in Twelfth Night

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