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Argument and intimacy in metaphysical poetry

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TEXTS IN CONTEXT

Persuasion by Jane Austen

Persuasion, the last of Jane Austen’s six full-length novels, was published in 1817, a few months after the writer’s death at the age of 41. A moving love story, it is shorter, more sharply satirical, and more melancholy in tone than its predecessors. Still single at 27, Anne Elliot is sidelined, underestimated and exploited by her snobbish father and selfish sisters. Events take a dramatic turn when Captain Wentworth, whose marriage proposal she had been persuaded to turn down years earlier, reappears in her life

Anne Elliot walking on a beach next to the sea. She is wearing a long blue dress and is barefoot.
Dakota Johnson as Anne Elliot in the 2022 Netflix adaptation of Persuasion
© MEDIA RIGHTS CAPITAL/Album/Alamy Stock Photo

In 1806, Lady Russell vetoed her god-daughter Anne’s marriage to Frederick Wentworth because of his ‘most uncertain profession’ and lack of the social connections necessary to rise through the ranks of the Navy (Ch. 4). Eight years later, however, when the dashing Wentworth returns to England on shore leave, as a bona fide war hero with a personal fortune of £25,000, he has become excellent husband material.

Anne and Wentworth become engaged in early 1815. The date is poignant, because as Lucy Worsley points out, Persuasion’s first readers would have known that ‘Napoleon was going to escape from Elba, and war would be resumed once again. This story of sailors and the sea was set in the calm before the storm’ (Worsley 2017, p. 304). Sadly, Jane Austen died before seeing her own beloved sailor brothers Charles and Frank reach the peak of their profession. The latter, once praised by England’s national hero Lord Nelson as ‘an excellent young man’, eventually rose to become Admiral of the Fleet Sir Francis Austen.

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Argument and intimacy in metaphysical poetry

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The other war: The Western Front versus the home front

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