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The Female Eunuch by Germaine Greer

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Knit one, kill one?

Irreconcilable differences

Collins, Christie and the Rashomon effect

Nicola Onyett compares the use of multiple narrative perspectives in two crime classics

Black and white photo with a Japanese man in the foreground holding a sword, and a woman behind him, pointing at something out of shot.
Toshiro Mifune and Machiko Kyō in the 1950 film Rashomon
© Everett Collection Inc/Alamy Stock Photo

AQA (A): NEA recommended text (The Woman in White)

AQA (B): Paper 2A Elements of crime writing (The Murder of Roger Ackroyd)

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Previous

The Female Eunuch by Germaine Greer

Next

Knit one, kill one?

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